an extract from Alf's daughter Sam's
eulogy at his memorial service:
Alf
was a prolific artist who had no understanding for artists who sat
waiting for inspiration.Work,
for him, realised inspiration. As
for the indulgence of meaning in art he had no such vanity. He
was an art for art’s sake adherent. It was rather for the purity of a seamless technique and a
threadbare delicacy that he strove; where the subject and the choice of
it, are the chief protagonists. His
bent was to paint the unworded frailty of both the object and its
surroundings, beautifully.
On
one of my infrequent visits, after he and my mother moved to Prince Albert
, I accompanied him on a morning walk.He pointed out the hard edge of theKaroo
horizon against the pale sky.“Ah,”
he said in his wistful way of speaking, “if I could only paint
that.” “But you do
Dad,” I said. And of
course he did.There was
nothing in Alf’s work that was fudged or ill-defined. Nothing that was unresolved or overworked; nothing overblown or
distasteful. His paintings
of theKaroo
transcend the sameness, to an exalted locus where bleakness and the
feeling that it imparts, becomes transport.
It is sad that a rare man of rare talent is gone, but his work will most
assuredly live on. Apart
from the feeling of separateness that his paintings convey, which is for
some unsettling, Alf’s style appeals to most of us. His paintings will always give to the viewer as much a sense of
place, as of their own selves. And
if they look long enough they will perhaps intercept the bitter-sweet
irony of the man who painted them.